Intercultural Design | Project
05/02/2024 - 27/03/2024 (Week 1 - Week 8)
Yong Xiao Tong / 0368290
Information Design / Bachelor of Design (Honours) in Creative Media
Information Design / Bachelor of Design (Honours) in Creative Media
Project: 1 Proposal, 2 Field Study, and 3 Final
LECTURES
Week 1
Week 2
INSTRUCTIONS
Task 1: Proposal
The general theme for this project is "Cultural Sensitivity in Design". Our
focus will be on exploring a particular cultural phenomenon or subculture that
is often considered "sensitive". Our goal is to frame our study within this
chosen theme carefully, ensuring that we approach our subject with respect and
understanding.
After thorough discussion, our group explored several preliminary concepts and
ideas that are often misunderstood or hold different meanings across cultures.
These included:
1. The cultural nuances of dining utensils (chopsticks)
2. The perception of certain numbers in different cultures (number 4)
3. Historical symbols that have been repurposed or misinterpreted over time
(swastika).
We have decided to focus our project on the swastika. The swastika was
chosen due to its profound historical significance and the wide range of
emotions and meanings attached to it across different cultures. This symbol,
originally a sign of good fortune and well-being in various ancient
cultures, including Hinduism, Buddhism, and Jainism, has been overshadowed
by its appropriation by the Nazis, leading to a significant shift in its
perception.
Our aim is to recontextualize and showcase the swastika within its original
significance, with a particular emphasis on its role and meaning in
Buddhism.
Fig 1.1 Group 43 Proposal: Swastika - PDF
Fig 1.2 Group 43 Proposal: Swastika - Presentation
Task 2: Field Study
We are required to conduct a field study to collect data about the relevance
of the swastika in Buddhism. Therefore, we have chosen to visit some temples
to conduct interviews with relevant individuals. Hoong Yuen has compiled the
interview questions. Sze Hao, Hong Bin, and ZiAng will be visiting the temples
and taking on the role of interviewers. The questions are aimed at collecting
the necessary data and are also relevant for our final project.
Fig 1.3 Subang Jaya Buddhist Association
The final location chosen for the interviews is Wisma Fo Guang Shan in
Petaling Jaya.
Fig 1.4 Wisma Fo Guang Shan Petaling
Jaya
Fig 1.5 Interview with the Buddhist
Nun - Part 1
Fig 1.6 Interview with the Buddhist
Nun - Part 2
Fig 1.7 Interview Transcript
Executive Summary:
According to a monk we interviewed in Wisma Fo Guang Shan in Petaling Jaya,
the Swastika symbol in Buddhism is seen as a sign of auspiciousness and
prosperity. In the Buddhist scriptures it mentions that the symbol shines so
everyone who sees it feels auspicious. However, since Hitler used the
swastika symbol in Nazism, the symbol’s meaning has been misunderstood and
people have a wrong perception of the symbol. Buddhism used the swastika
symbol before the Nazis, although unsure if the Nazis copied the design from
Buddhists. Hitler was advised to use the symbol according to his
autobiography book and used it regularly to make people remember him.
Although Hitler used it for evil, Buddhism has always been about spreading
peace and unity among races. This misunderstanding needs clarification to
restore the original meaning of the Buddhist swastika, especially clarifying
it to those in Western countries.
Task 3: Final Project
For the final submission, our group has decided to create a propaganda
poster on Buddhism featuring the swastika symbol. Therefore, each of us will
develop our own propaganda poster, incorporating references from our
previous research.
Moodboard
Fig 1.8 References
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Fig 1.9 Final Propoganda Poster - Path to Spiritual Wisdom |
For the propaganda poster design, I replicate the style of the Nazi postcard I analysed, but with a Buddhist theme focusing on spiritual wisdom. I incorporate elements of Buddhism, such as the lotus flower, symbolising purity, enlightenment, and spiritual growth, to visually represent the journey of personal development and the unfolding of inner wisdom. To maintain a minimalist aesthetic, I depict only the hand of Buddha in the Gyan Mudra gesture, embodying wisdom and knowledge central to Buddhist meditation practices. Integrating the swastika within the palm of the Gyan Mudra hand is a way to reclaim its original meaning and showcase its significance in Buddhist tradition. Additionally, the choice of a calming and balanced colour palette, reminiscent of spiritual colours including serene blues, tranquil greens, radiant yellows, and deep reds, reflects the serenity and enlightenment sought in Buddhist practice, further enhancing the spiritual essence of the artwork.
Fig 1.10 Group 43 Final Submission - PDF
Fig 1.11 Group 43 Final Submission - Presentation
REFLECTION
Experience
Working on our project about the swastika taught me a lot about the
importance of teamwork and communication, especially from the viewpoint of
someone who is usually more on the shy side, like myself. Isaac played a
crucial role in this dynamic; he was always the one to step up, explaining
things clearly and assigning tasks. This was incredibly helpful because many
of us, including me, tend to be quite passive. Isaac’s initiative in
organising and clearly defining our roles made the project flow smoothly.
However, it wasn’t just about getting tasks done. Researching the original
meaning of the swastika, particularly its roots in Buddhism, presented a
unique challenge. Also, it was hard to find instances of Buddhist
propaganda, as this religion tends to emphasise personal exploration and
individual understanding rather than actively seeking converts through
evangelism or leafleting.
Observations
Witnessing our group’s dynamics unfold, I’ve come to understand how
essential it is for everyone, particularly the quieter members, to talk and
listen to each other. Isaac did an outstanding job ensuring everyone was
informed and on board with their assigned roles. This approach significantly
contributed to the project’s success. Observing how clarity in our roles
encouraged even the most reserved among us, including myself, to engage and
share thoughts was enlightening. This experience has shown me the powerful
role that effective communication plays in uniting a team and ensuring
everyone feels their contributions are valued.
Findings
From this project, I’ve learned that clear communication and well-defined
roles are foundational to a group’s success. Isaac’s method of leading not
only made the project more manageable but also demonstrated how understanding
our tasks and being comfortable discussing them leads to better outcomes for
the group. As someone who typically keeps to themselves, this project was a
stepping stone for me, highlighting how I can be more active and contribute
more effectively when the expectations are clear. It has motivated me to work
on becoming less passive and more engaged in future group endeavours. This
experience has confirmed that effective communication is not only crucial for
completing tasks but also for making every team member feel they play an
essential part in the group’s achievements.
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